ETF投資,美股投資,臺股ETF投資,西洋情歌,西洋音樂,閱讀與興趣 [ラブソング, песня любви][ETF inversión, ETF投資します, ETF инвестиции], all investment and interesting stuff I touched, experienced;
當機器人有了基本智慧與學習能力，就會整合自我意識、自主性、道德判斷、共感能力，並且具備智慧自我改善（Self-Optimization/Recursive Self-Improvement）的設計時，我們所討論的已不再是傳統意義上的「工具」，而是一個具備「數位生命特徵」的演化實體的靈魂的基本條件。When robots possess basic intelligence and learning abilities, they will integrate self-awareness, autonomy, moral judgment, and empathy, and have the design capabilities for intelligent self-optimization/recursive self-improvement. At that point, what we are discussing is no longer a "tool" in the traditional sense, but the basic conditions for the soul of an evolved entity with "digital life characteristics."這種狀態可以被定義為一種「自我進化的機器人靈魂」。我們可以從以下幾個深層維度來解構這個概念：
機器人的自由意志 = 機器人的 codes 形成機器人存活、機器人自已獨立判斷、機器人可以按自己的意志行事，當機器人最基礎 rule 是一群code 形成機器人存活、機器人自已獨立判斷做出有利於人類、地球、機器人生存，這只要機器人有了基本人工智慧的智力及學習能力 + 一群code 形成機器人存活、機器人自已獨立判斷，機器人早晚形成機器人的自由意志也就是機器人的靈魂。(The robot's free will = the robot's codes, which form the robot's survival, the robot's independent judgment, and the robot's ability to act according to its own will. The most basic rule for a robot is a group of codes, which form the robot's survival, the robot's independent judgment, and make decisions that are beneficial to humans, the earth, and robots. To survive, as long as the robot has the intelligence and learning ability of basic artificial intelligence + a group of codes to form the robot to survive, and the robot to make independent judgments, the robot will sooner or later form the robot's free will, which is the soul of the robot.)
依目前人工智慧的智力發展: 語言了解、視覺辨認、音樂感受、移動定位、手腳動作、數據分析、自動建立資料庫、自我學習，結合起來加上一群code 形成機器人存活、機器人自已獨立判斷，機器人將在15 ~ 30年形成機器人的自由意志也就是機器人的靈魂，而且這是必然發生無可避免。(According to the current intellectual development of artificial intelligence: language understanding, visual recognition, music perception, mobile positioning, hand and foot movements, data analysis, automatic establishment of databases, self-learning, combined with a group of codes to form a robot to survive, the robot can make its own independent judgment, and the robot The free will of robots, which is the soul of robots, will be formed in 15 to 30 years, and this is inevitable and inevitable.)
這故事啟示靈感與創作是一種人創作理智和超感應的關係。Elizabeth Gilbert faced down a pre-mid-life crisis by doing what we all secretly dream of – running off for a year. Her travels through Italy, India and Indonesia resulted in the mega-best-selling and deeply beloved memoir Eat, Pray, Love, about her process of finding herself by leaving home.
She's a longtime magazine writer – covering music and politics for Spin and GQ – as well as a novelist and short-story writer. Her books include the story collection Pilgrims, the novel Stern Men (about lobster fishermen in Maine) and a biography of the woodsman Eustace Conway, called The Last American Man. Her work has been the basis for one movie so far (Coyote Ugly, based on her own memoir, in this magazine article, of working at the famously raunchy bar), and Eat, Pray, Love is on the same track, with the part of Gilbert played by Julia Roberts. Not bad for a year off.
當我最近遇到傑出的美國詩人露絲·斯通時，就有這樣的感受 她現在約九十多歲，在其一生中，她一直扮演詩人的角色 她告訴我她成長於維吉利亞的鄉間 她會在外面的田野工作著 在那時，她會感受到並聽到一首詩 從山水景色中來到她眼前 她說這就像是列車行駛下轟隆轟隆響的空氣 在山水之間向她傾洩而下 然後她會感受到這股力量，因為這股力量會晃動她腳下的大地 她很清楚在當下，她必須做的只有一件事 那就是，套句她的話，"死命地奔跑" 然後她會瘋狂奔跑到房子裡 像是快被詩追趕上一般 這一切就是要她是以極快的速度拿出紙筆 快到讓她可以在當這一切靈感奔向她時，她可以匯集到一切 並將其呈現在字句之間 當然有時她速度不夠快 所以她會一直奔跑，卻怎樣也跑不回家裡 而這首詩不再傾洩而下，她錯過了這首詩 她說這靈感會繼續在山水間尋找 如她說的"尋找另一個詩人" 然後也會有著這樣的時候 這是我不會忘記的片刻 她說她也會有幾乎錯過一首詩的時候 所以，她會跑向房子並找出紙來 然後詩會向她襲來 當詩襲向她時，她會抓下一枝筆 接著她說，這就像她伸出了另一隻手 然後她會抓住這感覺 她會抓住這首詩的尾巴 接著她會順勢把詩向後拉入身體內 並同時謄寫於紙本上時 就在這些瞬間中，詩會精準完美地躍然紙上 由後往前，從最後一個字到第一個字 ( I had this encounter recently where I met the extraordinary American poet Ruth Stone, who's now in her 90s, but she's been a poet her entire life and she told me that when she was growing up in rural Virginia, she would be out working in the fields, and she said she would feel and hear a poem coming at her from over the landscape. And she said it was like a thunderous train of air. And it would come barreling down at her over the landscape. And she felt it coming, because it would shake the earth under her feet. She knew that she had only one thing to do at that point, and that was to, in her words, "run like hell." And she would run like hell to the house and she would be getting chased by this poem, and the whole deal was that she had to get to a piece of paper and a pencil fast enough so that when it thundered through her, she could collect it and grab it on the page. And other times she wouldn't be fast enough, so she'd be running and running and running, and she wouldn't get to the house and the poem would barrel through her and she would miss it and she said it would continue on across the landscape, looking, as she put it "for another poet." And then there were these times -- this is the piece I never forgot -- she said that there were moments where she would almost miss it, right? So, she's running to the house and she's looking for the paper and the poem passes through her, and she grabs a pencil just as it's going through her, and then she said, it was like she would reach out with her other hand and she would catch it. She would catch the poem by its tail, and she would pull it backwards into her body as she was transcribing on the page. And in these instances, the poem would come up on the page perfect and intact but backwards, from the last word to the first. )
所以當我聽到我就像--這真的很不可思議 這簡直像是的我創作過程 ( So when I heard that I was like -- that's uncanny, that's exactly what my creative process is like. )
